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Day's End is a risograph-printed poetry zine, exploring the layered history of the Christopher Street piers in New York City. A collaboration with poet Joshua Garcia, the nesting works reflect on photographs of the queer community that gathered there in the mid-1980's, and the presence of David Hammons’ sculptural installation, erected where Pier 52 once stood. Through print and verse, Day's End reflects on memory, community, and the ever-shifting landscape of queer history.